© Hidden Lines of Space

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  1. In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    Fran Cottell & Marianne Mueller:  Pentagon Petal, 2016, The Prison Drawing, 2017, The Bench Drawing, 2017 2 prints on paper, 84,1 x 118,9 cm  Drawings: Marianne Mueller & Olaf Kneer

    Fran Cottell & Marianne Mueller: 

    Pentagon Petal, 2016, The Prison Drawing, 2017, The Bench Drawing, 2017

    2 prints on paper, 84,1 x 118,9 cm 

    Drawings: Marianne Mueller & Olaf Kneer

    Fran Cottell & Marianne Mueller: The Prison Drawing, 2017, 84,1 x 118,9 cm  Drawing: Marianne Mueller & Olaf Kneer

    Fran Cottell & Marianne Mueller:

    The Prison Drawing, 2017, 84,1 x 118,9 cm 

    Drawing: Marianne Mueller & Olaf Kneer

    Fran Cottell & Marianne Mueller: The Bench Drawing, 2017, 84,1 x 118,9 cm  Drawing: Marianne Mueller & Olaf Kneer

    Fran Cottell & Marianne Mueller:

    The Bench Drawing, 2017, 84,1 x 118,9 cm 

    Drawing: Marianne Mueller & Olaf Kneer

    Fran Cottell & Marianne Mueller: Pentagon Petal, 2016

    Fran Cottell & Marianne Mueller: Pentagon Petal, 2016

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    Julia Horstmann: Untitled (Oderberger Strasse 10 / #5), 2017, Paper, ink, 65 x 50 cm Untitled (Oderberger Strasse 10 / #4), 2017, Paper, gouache, 35,6 x 26 cm

    Julia Horstmann:

    Untitled (Oderberger Strasse 10 / #5), 2017, Paper, ink, 65 x 50 cm

    Untitled (Oderberger Strasse 10 / #4), 2017, Paper, gouache, 35,6 x 26 cm

    Julia Horstmann:  Untitled (Oderberger Strasse 10 / #5), 2017, Paper, gouache, 35,6 x 26 cm

    Julia Horstmann: 

    Untitled (Oderberger Strasse 10 / #5), 2017, Paper, gouache, 35,6 x 26 cm

    Julia Horstmann: Untitled (Oderberger Strasse 10 / #4), 2017, Paper, ink, 65 x 50 cm

    Julia Horstmann:

    Untitled (Oderberger Strasse 10 / #4), 2017, Paper, ink, 65 x 50 cm

    Emma Waltraud Howes: Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017 2 digital prints, 84.1 x 118.9 cm

    Emma Waltraud Howes:

    Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017

    2 digital prints, 84.1 x 118.9 cm

    Emma Waltraud Howes: Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017 2 digital prints, 84.1 x 118.9 cm

    Emma Waltraud Howes:

    Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017

    2 digital prints, 84.1 x 118.9 cm

    Emma Waltraud Howes: Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017 2 digital prints, 84.1 x 118.9 cm

    Emma Waltraud Howes:

    Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017

    2 digital prints, 84.1 x 118.9 cm

    Emma Waltraud Howes: Scores for Daily Living | Seven Variations + One, 2017 Carbon paper, paper, graph paper, Score I – VIII: 21 x 30 cm

    Emma Waltraud Howes:

    Scores for Daily Living | Seven Variations + One, 2017

    Carbon paper, paper, graph paper, Score I – VIII: 21 x 30 cm

    Emma Waltraud Howes: Scores for Daily Living | Seven Variations + One, 2017 Carbon paper, paper, graph paper, Score I – VIII: 21 x 30 cm

    Emma Waltraud Howes:

    Scores for Daily Living | Seven Variations + One, 2017

    Carbon paper, paper, graph paper, Score I – VIII: 21 x 30 cm

    Moi Tran: Visual Recital (Moving In Moving Out), 2017, Video, sound, 57:33 min.

    Moi Tran:

    Visual Recital (Moving In Moving Out), 2017, Video, sound, 57:33 min.

    Moi Tran: Visual Recital (Moving In Moving Out), 2017, Video, sound, 57:33 min.

    Moi Tran:

    Visual Recital (Moving In Moving Out), 2017, Video, sound, 57:33 min.

    Moi Tran: Moving In Moving Out #2, 2017, objects, canvas, paint

    Moi Tran:

    Moving In Moving Out #2, 2017, objects, canvas, paint

    Moi Tran: Moving In Moving Out #2, 2017, Performance, objects, canvas, paint

    Moi Tran:

    Moving In Moving Out #2, 2017, Performance, objects, canvas, paint

    Moi Tran: Moving In Moving Out #2, 2017, Performance, objects, canvas, paint

    Moi Tran:

    Moving In Moving Out #2, 2017, Performance, objects, canvas, paint

    Mirjam Thomann: Cube Cube Cube, 2009/2017 MDF, hinges, mirror, wall paint of the exhibition space, 100 x 50 x 50 cm (adjustable to 100 cm); mirror: 100 x 100 cm Courtesy Galerie Nagel Draxler, Berlin/Köln

    Mirjam Thomann:

    Cube Cube Cube, 2009/2017

    MDF, hinges, mirror, wall paint of the exhibition space, 100 x 50 x 50 cm (adjustable to 100 cm); mirror: 100 x 100 cm

    Courtesy Galerie Nagel Draxler, Berlin/Köln

    Alice Aycock: Projekt für drei Betonkammern mit unterirdischem Tunnelzug, 1975 / 84, Offset on parchment, 54 x 88 cm

    Alice Aycock:

    Projekt für drei Betonkammern mit unterirdischem Tunnelzug, 1975 / 84, Offset on parchment, 54 x 88 cm

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    Jonas von Ostrowski Director’s house, 2017, Paper, ink, 42 x 30 cm

    Jonas von Ostrowski

    Director’s house, 2017, Paper, ink, 42 x 30 cm

    Jonas von Ostrowski House of stubbornness, 2017, Paper, ink, 42 x 30 cm

    Jonas von Ostrowski

    House of stubbornness, 2017, Paper, ink, 42 x 30 cm

    Jonas von Ostrowski Diamond house with square inside, 2017, Paper, ink, 42 x 30 cm

    Jonas von Ostrowski

    Diamond house with square inside, 2017, Paper, ink, 42 x 30 cm

    Jonas von Ostrowski House for trying to be both, 2017, Paper, ink, 42 x 30 cm

    Jonas von Ostrowski

    House for trying to be both, 2017, Paper, ink, 42 x 30 cm

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    Hella Gerlach Ritual of the Four Balls, 2010-13, ceramic (unfired), car paint, diameter ca. 13 cm each

    Hella Gerlach

    Ritual of the Four Balls, 2010-13, ceramic (unfired), car paint, diameter ca. 13 cm each

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    Horstmann Untitled (Oderberger Strasse 10), 2017, Linen, gouache, acrylic, 150 x 572 cm

    Horstmann

    Untitled (Oderberger Strasse 10), 2017, Linen, gouache, acrylic, 150 x 572 cm

    In Between, 2017, Table with research material, Kunstverein am Rosa-Luxemburg-Platz Berlin

    In Between, 2017, Table with research material, Kunstverein am Rosa-Luxemburg-Platz Berlin

    In Between, 2017, Table with research material, Kunstverein am Rosa-Luxemburg-Platz Berlin

    In Between, 2017, Table with research material, Kunstverein am Rosa-Luxemburg-Platz Berlin

    • 1

      In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    • 2

      Fran Cottell & Marianne Mueller: 

      Pentagon Petal, 2016, The Prison Drawing, 2017, The Bench Drawing, 2017

      2 prints on paper, 84,1 x 118,9 cm 

      Drawings: Marianne Mueller & Olaf Kneer

    • 3

      Fran Cottell & Marianne Mueller:

      The Prison Drawing, 2017, 84,1 x 118,9 cm 

      Drawing: Marianne Mueller & Olaf Kneer

    • 4

      Fran Cottell & Marianne Mueller:

      The Bench Drawing, 2017, 84,1 x 118,9 cm 

      Drawing: Marianne Mueller & Olaf Kneer

    • 5

      Fran Cottell & Marianne Mueller: Pentagon Petal, 2016

    • 6

      In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    • 7

      Julia Horstmann:

      Untitled (Oderberger Strasse 10 / #5), 2017, Paper, ink, 65 x 50 cm

      Untitled (Oderberger Strasse 10 / #4), 2017, Paper, gouache, 35,6 x 26 cm

    • 8

      Julia Horstmann: 

      Untitled (Oderberger Strasse 10 / #5), 2017, Paper, gouache, 35,6 x 26 cm

    • 9

      Julia Horstmann:

      Untitled (Oderberger Strasse 10 / #4), 2017, Paper, ink, 65 x 50 cm

    • 10

      Emma Waltraud Howes:

      Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017

      2 digital prints, 84.1 x 118.9 cm

    • 11

      Emma Waltraud Howes:

      Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017

      2 digital prints, 84.1 x 118.9 cm

    • 12

      Emma Waltraud Howes:

      Scores for Daily Living | Seven Variations + One, Compression of Eight, 2017

      2 digital prints, 84.1 x 118.9 cm

    • 13

      Emma Waltraud Howes:

      Scores for Daily Living | Seven Variations + One, 2017

      Carbon paper, paper, graph paper, Score I – VIII: 21 x 30 cm

    • 14

      Emma Waltraud Howes:

      Scores for Daily Living | Seven Variations + One, 2017

      Carbon paper, paper, graph paper, Score I – VIII: 21 x 30 cm

    • 15

      Moi Tran:

      Visual Recital (Moving In Moving Out), 2017, Video, sound, 57:33 min.

    • 16

      Moi Tran:

      Visual Recital (Moving In Moving Out), 2017, Video, sound, 57:33 min.

    • 17

      Moi Tran:

      Moving In Moving Out #2, 2017, objects, canvas, paint

    • 18

      Moi Tran:

      Moving In Moving Out #2, 2017, Performance, objects, canvas, paint

    • 19

      Moi Tran:

      Moving In Moving Out #2, 2017, Performance, objects, canvas, paint

    • 20

      Mirjam Thomann:

      Cube Cube Cube, 2009/2017

      MDF, hinges, mirror, wall paint of the exhibition space, 100 x 50 x 50 cm (adjustable to 100 cm); mirror: 100 x 100 cm

      Courtesy Galerie Nagel Draxler, Berlin/Köln

    • 21

      Alice Aycock:

      Projekt für drei Betonkammern mit unterirdischem Tunnelzug, 1975 / 84, Offset on parchment, 54 x 88 cm

    • 22

      In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    • 23

      Jonas von Ostrowski

      Director’s house, 2017, Paper, ink, 42 x 30 cm

    • 24

      Jonas von Ostrowski

      House of stubbornness, 2017, Paper, ink, 42 x 30 cm

    • 25

      Jonas von Ostrowski

      Diamond house with square inside, 2017, Paper, ink, 42 x 30 cm

    • 26

      Jonas von Ostrowski

      House for trying to be both, 2017, Paper, ink, 42 x 30 cm

    • 27

      In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    • 28

      Hella Gerlach

      Ritual of the Four Balls, 2010-13, ceramic (unfired), car paint, diameter ca. 13 cm each

    • 29

      In Between, 2017, installation view, Kunstverein am Rosa-Luxemburg-Platz Berlin

    • 30

      Horstmann

      Untitled (Oderberger Strasse 10), 2017, Linen, gouache, acrylic, 150 x 572 cm

    • 31

      In Between, 2017, Table with research material, Kunstverein am Rosa-Luxemburg-Platz Berlin

    • 32

      In Between, 2017, Table with research material, Kunstverein am Rosa-Luxemburg-Platz Berlin

    IN BETWEEN
    7 – 22 July 2017
    at Kunstverein am Rosa-Luxemburg-Platz 

    with contributions by Richard Allen, Alice Aycock, Fran Cottell & Marianne Mueller, Hella Gerlach, Julia Horstmann, Emma Waltraud Howes, Jonas von Ostrowski, Mirjam Thomann, Moi Tran

    with a  performance by Moi Tran "Moving In Moving Out"


    "Which movements, what behaviour and what kinds of thinking brings about a floor plan? What occupies its centre? An object or a piece of social interaction? Which language, which narratives and which concept of man does it embody?" These are a few of the questions that Hidden Lines of Space poses. The project investigates the floor plan per se from a fine art perspective and will stage a multi-angled presentation comprising research material and artistic contributions from across the world at the Kunstverein am Rosa-Luxemburg-Platz from 7 July until 21 July.

     
    Floor plans contain specific structural instructions. Within the context of Hidden Lines of Space and removed from their normal association with construction and architecture, floor plans become liberated figures of thought and play with the capacity to illuminate social or aesthetic practices.
     
    The exhibition will feature artworks that either engage explicitly with floor plans or take a more abstract approach to them.
    The spectrum ranges from illustrated analyses of spatial structures to the transformation of a prison floor plan into a social public space sculpture. Other works explore the floor plan as a repository for the storage and accumulation of memory or approach the topic from a performative angle: they investigate the ritual occupation of a given space or view the walls as dramaturgs producing real and imagined boundaries and choreographing specific behaviours. In each case, the focus is upon harnessing the floor plan as scope for modelling human experience.


    sponsored by Hauptstadtkulturfonds
    www.hauptstadtkulturfonds.berlin.de